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Beans from Eden and more

The new crop of 2015 Belize is in.  Organic and Fair trade.  Full of juicy blackberry this time.  At this writing, half is already gone so act fast and stock up if you want it. Although La Red is gone for now, we now have two new  beans from the Dominican Republic.

Dominican Republic Rizek - Fair Trade /Organic - It's been a couple years since we last had this.  Dark fruits like plum and fig, There are also hints of holiday spice particularly cardamom and cinnamon.

Dominican Republic Eden O Organic - This is a elegant bean and brand new in our offerings. There is a fruity tang of kiwi and passion fruit.  Also the pretty classic light leather of the Dominican Republic.  But everything here is soft and balanced.

The new crop of Organic Bolivia will be in next week, plus a great new smaller lot of Papua New Guinea.. In the mean time, don't miss out on the last of last year's crop of Organic Bolivia - we were able to get one last bag.

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Ask the Alchemist #127

I’m having trouble with my winnower. It’s been working great for months and now it just won’t pull the husk out. I’ve tried all the different settings and it just work.

I received this via email and wasn’t really an Ask the Alchemist, but I’m turning it into one as I think it’s good information.

This is classic trouble shooting to my mind. A little background.

Both the Sylph and Aether use a valve in the vacuum path to regulate the amount of suction and amount of flow but simply controlling how big of a ‘leak’ there is in the vacuum chamber. Much simpler and less expensive than flow controllers and variable speed blowers. As you winnower, very fine particulates can find their way to the filter inside the vacuum. Dust basically. The vortex arrangement of the air flow keeps it pretty well dust free, but some does make it up and out of the waste bin if it gets too full. Instead of having to clean the filter continuously you can just close the ‘leak’ a little and restore the original flow.

This is a known ‘issue’ and why I designed it this way. And I made sure to call out in the manual to keep the filter clean after every full container of husk.

No matter how far closed the vacuum valve was there was significant husk in the nibs. In this case though the valve was all the way closed and the filter was clean. This then falls into troubleshooting. And there are really only three options.

1) The fan in the vacuum broke.

2) There was a leak somewhere else

3) There was a blockage somewhere preventing flow.

A quick check of the fan itself showed no issue. You can hear when vacuum fans go bad. It’s VERY obvious. Loud usually. Or grinding.

I had them check over all the various openings and connections feeling for air flow where it shouldn’t be. Nothing.

As the Sherlock adage goes, ‘when you have eliminated the impossible, whatever remains, however improbable, must be the truth’.

It’s not the fan. It’s not another leak. It’s not the filter. It MUST be another blockage.

Check the hose? Clear. Exit ports on the vacuum. Clear.

Your deduction Watson?. Is there another filter? YES!

It turns out that in many vacuums there are TWO filters. And many manuals don’t mention the 2nd one as it hardly ever gets clogged. The obvious place for it was between the filter and the exit…and there is was.

And it was CAKED. Once that was cleaned off and shaken out, the winnower worked like new.

vacuum.jpg What you should take away from this is that just because YOU didn’t change something in your system, doesn’t mean that something has not changed. Yeah, it’s kind of obvious, but half the troubleshooting I do (gladly) ever week is like this. The key Is finding that one thing that has changed.

So, keep those secondary filters clean on your winnower. And the next time something goes wrong, try listing out as many variables as you can and checking them against the last time things were working well. Good luck all.

Send in your Ask the Alchemist questions to questions@chocolatealchemy.com

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Ask the Alchemist #126

I wanted to ask your advice on a spectrometer. I know that we should get our chocolate mass to a certain micron range. Would this be a good one to get or have you used a different one given the price? Also, do you recommend any other helpful tools to help with quality assurance?

http://www.amazon.com/dp/B00S941UQM/ref=wl_it_dp_o_pC_nS_ttl?_encoding=UTF8&colid=3C39Q9TYAUQ03&coliid=I5H0ZZ8Z4OP88&psc=1

My advice is don’t get hung up on numbers. At least in this and a few other cases. I like ‘numbers’ when they actively help me either repeat a process or verify a process is where I want it. But numbers for the sake of numbers is just wasting time. This isn’t quite that later case, but it also isn’t helpful.

I’m going to pick on your premise. You do not actually know your mass needs to be in a certain micron range. You know that your chocolate needs to be smooth. And smooth is a tactile sense, not a number. If you want to know if your chocolate is smooth enough just taste it. I’m dead serious about this.

There are a few reasons. But the one I just made is the main reason. You want to know if it’s smooth so use your ‘smooth’ detector. Your tongue! It is the best tool for the job.

You mention a spectrometer. First off, your link isn’t for a spectrometer. It is for something called a Grindometer. I would specifically not use it. It doesn’t really give you that much data. To paraphrase a couple sources, Grindometers are built to give a very quick indication of the high end of the particle size distribution, allowing production processes to be followed in real time. Again, your own perception will do this.

Here is the problem. The Grindometer tells you top end. But our mouth doesn’t work that way. Our perception is complicated. We take an average, with a sensitivity to the larger particle sizes to determine whether something is ‘smooth’. Basically we interpret qualitatively (i.e. without numbers) the particle size distribution in what we are tasting. Even just a few particle that are larger than the average make us say ‘coarse’. Under some average threshold we say ‘fine’. But your Grindometer is only giving a number that basically says “most everything is under 110 microns’. Not real helpful. Why? Have a look the following. It’s a particle size distribution plot of four different chocolates.

particle-distribution.jpg

They spread the gamut of very fine to acceptably smooth. The Grindometer would tell you these all had particles in the 80-100 um range. Way coarser than the traditional bench mark of “less than 35 microns”. One reason it is not very useful. But I can hear you now. ‘I can use 80 as too fine, 85-90 as perfect and 100 as coarse’. Not really. You would be really hard pressed to see that on the Grindometer. It’s the difference in theory and practice. But for the sake of argument, let’s say you disperse your chocolate in some oil so it’s easier to see and you can see the difference. It is fully possible to have a chocolate where the largest particle is 80 um and the chocolate per your mouth is very coarse. How and why? Because of the averaging we do. Note the labels on those 4 plots above. 18 um, 25 um, 35 um, 50 um. Those are the weighted averages of the entire distribution. When you hear that chocolate should be 35 um, THIS is what they are talking about. Not less than 50 um, or less than 35 um. Not exactly 35 um. What that means is you can have a plot like the one below. There is nothing larger than 80 um, but the weighted average is 65 um so it’s going to seem coarse yet your Grindometer would have you believe it is super fine and ready to go.

particle-distribution-1.jpg

Basically it’s the wrong tool for the job. The same goes for people using micrometers. I have heard it a lot, that they use them to verify they are at 50 um or 35 um or whatever….except assuming it even works (which I am skeptical about as they aren’t comparing it against a known value), it still is only giving you the largest particles which are basically unrelated to mouth feel in the critical range.

Could you use a particle size analyzer such as was used to make those plots? Sure. Maybe. The main question I would put to you is WHY? What are you going to actually do with the data that is worth $10-20,000? Especially when at the end of the day it’s the mouth feel you are concerned about and the best test for that, as I’ve said, is just to taste it and determine the mouth feel for yourself.

To close this out, I don’t want to leave you with the impression I am against fancy tools and numbers. Heck, I was a chemist for many years and love that stuff. But that experience has also shown me that trying to correlate complex numbers and graphs to the human perceptions might be sexy as all get out in a research setting, it has a tendency to fall apart in the trenches of daily production. At the end of the day your senses are amazing. Use them!

Send in your Ask the Alchemist questions to questions@chocolatealchemy.com

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Ask the Alchemist #125

"Have you tried the EZ Temper and how in the world does it work?  I don't understand it."

Yes, I've have one (Thank you Kerry).  You can go read the Review.   It outlines what I think of it, how it works and the theory behind it.

The short of it is it works and I like it.  Get one if you want to make your tempering life easier.  It's well named.

Send in your Ask the Alchemist questions to questions@chocolatealchemy.com

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Ask the Alchemist #124

What do the symbols mean on you winnower logos? Where did you find them? Is Aether with a long A or E or something else?

I have been waiting for this question for years. Thank you. First off, the logo.

aether.jpg To begin, I didn’t find the central figure. It is a composite of traditional alchemical symbols. Chocolate ALCHEMY after all. But some of the individual symbols and the logo I did design.

The top figure (the H like figure) is the alchemical symbol for Pulverize. It is as close to “Crack” (as in cracking the cocoa bean) as I could get.

Proceeding sinister (counter clockwise around the circle -since we are breaking something down) we encounter one the four Elements, Air. The means by which the process in question is acted upon.

And completing the circle we have the symbol for Separation.

Pulverize, Air, Separate. In other words, cracking and winnowing.

After that it was just a matter of arranging the symbols into a new composite Symbol. Cracking and Winnowing.

In regards to the Sylph, you will see one more symbol in there. Mu. In the world of chemistry and measurements, it stands for “micro”, as in micrometer. Small. And so the Sylph is the ‘smaller’ winnower. Maybe one day there will be a nano or pico winnower.

Finally, the “A” is silent. It is Ether with a long E. No long A.

And why the name? Two reasons. The triangle in the symbol that makes up Air is also the symbol for the Ether – the mystical fifth Element that permeates the universe (we are talking symbolism here, I don’t believe this). Aether is an alternative spelling that lends an old world feel in my opinion. Seems a good way to start the mystical transformation of cocoa to chocolate!

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Ask the Alchemist #123

How do you find the beans you sell?

Lots of ways. I have long standing relationships with importers, farms and individuals selling cocoa. I also buy beans from chocolate makers that have brought in beans and have too many or wish to share. Routinely farms contact me as do sellers that have found me on the web. Basically I have no one avenue and am always looking for good beans to offer. Feel free to contact me if you have some. I’ll need a sample (more below on that).

Whereas I have no one source of beans, I do have one method I use for purchasing beans. Or at least deciding whether to buy them. Whenever I am offered beans I request a sample be sent for evaluation. And I do just that.

I look at the preparation when it comes in. Is it clean? Well and evenly fermented? I break a few beans open. Light break? Purple? Rich brown? Notes are made.

Smell it. Is it musty or moldy? Does it smell sharp? Fruity? Woody? Whatever it is, I record it.

Next I roast it up. I’m not looking for the perfect roast here. It is the rare bean that needs an exact profile, so I just roast it on a standard profile, relying heavily on my sense of smell, the temperatures and the clock. I record the smells and aromas and put as many names or gestalt impressions down as I can.

After cooling, I take my first taste of the beans. 90% of the time I know right then and there if I want to buy the beans. But I don’t stop there. I make a batch of chocolate. The chocolate I make for evaluation is the same every single time. It’s my way of normalizing what I am tasting. It is a 75% dark with 5% cocoa butter.

700 g nibs

50 g cocoa butter

250 g sugar.

1 t lecithin

Isn’t the metric system great? I melt the cocoa butter to 200-250 F and add the lecithin (I bake with the resulting chocolate a lot and lecithin makes it easier to handle). I warm my melanger bowl and stones, nibs and sugar in the oven for about ½ hour at 150 F. In goes the cocoa butter into the warm bowl and 1/3 of the nibs. 15 minutes later another 1/3 of the nibs go in, and 10 minutes later the remain nibs go in with the sugar.

I note the smells coming off and taste the proto-chocolate immediately. After that I taste it ever few hours while I am around and at some point after it is fully smooth (12-18 hours) I make a judgment call as to whether to continue or stop the batch. What I’ve found is that good chocolate won’t go bad, but sometimes questionable chocolate will turn around with more time. After I deem it as good as it’s going to get I pour it up in a bag and let it set up. Untempered. Although the last ½ dozen batches have been tempered using cocoa butter seed from the EZTemper (review coming – it rocks). After it sets up and I taste it and decide if I want it and how much I want. But no notes are taken.

Assuming I get the beans, I pull a sample once the pallet of beans arrive, I check my previous notes and make another batch of chocolate. These two samples I now compare and make sure they are the same or close enough. Sometimes I take the opportunity on the 2nd batch to fine tune to roast profile and note that if I do.

At this point I sit down and Taste (not the capital) the chocolate. I make notes and write my review incorporating where appropriate the other notes I’ve taken. And I construct the spider charts. And you see the results of that when the beans go up for sale.

And that is how I find and bring in beans. A little peak behind the scenes.

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Ask the Alchemist #122

I was wondering if you could explain or give your opinion about two steps of the process.

1. Roast 2. Crack with champion juicer 3. Winnow. 4. Pre-melange using the champion juicer to turn the beans unto a paste/liquid 5. Melange with spectra 11 for varying amounts of time.

My questions have to do with the fourth and fifth step.

First, what are the advantages of using the juicer initially to turn the beans into a liquid? This step seems to be the slowest and hardest (from a technical perspective) because the bean and machine take a long time to get hot enough to clear the juicing screen--this includes the use of a blow dryer to heat things up further. Other chocolate makers also seem to use this step (e.g. Dandelion) but I don't understand how this helps flavour or texture advantage compared to putting the windowed bean straight (and slowly) into the spectra.

Second, I think I understand that the heat created by the melanger is responsible for eradicating some of the off flavors. It also seems to be the case that the same heat works to mellow the good unique flavors of the bean or at the worst eradicate the uniqueness. With long conching times I'm worried that I won't be able to keep all that great flavor. Have you found this to be true? And if so have you tried, with any success, controlling the temperature of the melanger by releasing some of the tension keeping the the rollers down to reduce frictional heat? Can you blast the melanger with heat for the first few hours to remove the bad flavors?

A little history. There use of the Champion juicer came about incrementally. It was the first house hold appliance I found (yes, I’m the one who ‘discovered’ it could be used for chocolate some 12 years ago) that could take roasted cocoa nibs to unrefined cocoa liquor/mass. It was not until a year later or so that I worked out that a modified Santha Wet grinder could be used to refine and conche (i.e. mélange) chocolate and worked with Santha to product the first Santha 10 Melanger (which has progressed to the Spectra 11).

At the time one of my guiding principals was approachability. I wanted it to be relatively easy for people follow the process and the Champion helped in that regard. The other option was to grind the nibs directly in the Santha 10. But unfortunately it was not up to the task initially and it could take a hour or more to get just a couple pounds incorporated and I found that was a great turn off for many people.

So that is/was the basic advantage of the Champion step. Take ½ hour and make 4-5 lbs of liquor that could easily be added to the Melanger. It is also worth mentioning husk. The Champion as you know has a screen at the bottom that the liquor comes out of. It also filters out any husk that was left in the nibs. Before the invention of the Aether and Sylph home winnowing was much harder and less efficient. With the advent of those winnowers that need has decreased.

So to answer your specific question, you don’t understand how it helps flavor or texture because you are looking for the Champion to affect flavor or texture when it does not. Its two jobs are to liquefy the nibs into liquor and remove any remaining husk. If you winnow well and don’t mind taking the time to add the nibs to the Melanger slowly, then there is little need for the Champion step.

One other side note here. You really should not need to heat anything up externally while using the Champion. It creates its own heat when used and if it is not, something isn’t quite right.

On to question two. Your language is kind of aggressive there. ‘Eradicating’? I guess that is somewhat accurate, but it is a bit overkill. It really more allows volatile compounds to escape the chocolate and oxidizes other compounds in the chocolate chemically change to ‘softer and gentler’ flavor components.

Let’s get something out of the way. Tension. It really is pretty much binary. Whether the screw is just barely engaged or screwed all the way down, the tension produced is virtually constant since you have to compress a heavy spring just to engage it and the distance traveled over the span of a few turns is so minimal. So, yes, I have tested the tension/friction/heat correlation and found it basically non-existent.

. Long conching times. Too much is made of this. ‘Don’t go to long – it will make bland chocolate.’ ‘You have to go 72 hours – it’s what the Swiss do.’ In theory it is possible but it is an extreme case I have found. You really need to start with a really mild bean, roast it particularly long, mélange it significantly hot and go a long time and you can end up with brown cocoa mass. It honestly it takes a LOT of work to do that. And it really comes down to the fact that THE MELANGER IS NOT A CONCH! Likewise, it is NOT A REFINER. It is a MELANGER. Did that get your attention? I’m serious here. What we use at home is a Melanger. It refines and conches at the same time and consequently it is pretty well inefficient (compared to ‘Refiners’ and ‘Conches’) at refining and conching. It’s why it takes 18+ hours at a minimum to refine to 20-30 micron as opposed to many function build refiners that take minutes.

The same with the conching aspect. That oft touted magic ’72 hours’ for quality chocolate is a result of some tossed out factoid that some European chocolates were conched (in a purpose built Conch) for 3 days.

Melangers are not that good (read efficient) and show self regulation and diminishing returns over time. What that means it is nearly impossible to over refine or over conche in one. Over the years I have tried. Currently my longest test was 10 days. The short result was that the chocolate was ‘ready’ after 30 hours. And slightly different at 72 hours. At 5 days it was more mellow but by no means boring or ruined and at 10 days, I could not tell it apart from the samples of days 6-9.

As for blasting it with heat. No, this really does not work to well. It might drive off the volatiles more quickly, but it is just as likely to drive off chemical pre-cursors of compounds you want in your chocolate that will develop into complex flavors later.

So mostly, RELAX about it and stop trying to micro adjust the process where the effects are just lost in the noise/randomness of the process.

I’ll relate the three times I made un-unique and down right boring chocolate.

1) I started with a delicate Criollo. I roasted it a touch heavy. It put it in the Melanger for 3 days at 130 F (still flavorful) and THEN added heat (to 155 F) and ran it for another 24 hours. This was then boring chocolate.

2) I used a blow dryer to heat the chocolate directly. It effectively stripped the chocolate of flavor. Not so much the heat but the actively blowing air.

3) I added 1 t of baking soda per lb of chocolate and ran it 2-3 hours. Boring!

In all three cases I pushed it to extremes ON PURPOSE. There have been many a batch of test chocolate that I’ve run for 4 days just because I busy and didn’t feel like dealing with it….and it was just fine and fully good enough for me to approve the sample for purchase. Yes, it was some different….but I’ve made two batches of chocolate in theory identically and had them come out different, so that does not say a whole lot.

I developed most of these procedures and equipment for approachability. What that means is you may not have the control you think you want, but it also means that if you give both a chance you will make good if not great chocolate time and again.

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Ask the Alchemist #121

Who do you look up to?

Ok, this one is sort of out of left field. It’s a valid question. And one person jumps to mind. It isn’t an importer or farmer. Nor a chocolate confectioner. It is not a chocolate maker, or equipment maker. In fact they are not even anyone associated with the chocolate industry But the hint is there. It is Adam Savage. The non-self proclaimed poster child of the Maker revolution. I find both he and his Mythbuster partner Jaime Hyneman inspirational. They are both Makers. They make things. But to make them, they have to understand them. They approach problems, break them down, systematically develop potential solutions and then make what they need to test out their hypothesis – basic scientific methodology.

How does this relate? Well, it’s what I do day in day out. And what you, as a chocolate Maker, or aspiring chocolate Maker, are. A Maker.

Last year I hear a speech Adam gave at a major Maker Faire. It was his 10 commandments of making. It made such a positive impression on me, and per 6, I want to pass them along and comment on them and how they relate to what we do here. You can hear the full talk here:

http://www.tested.com/art/makers/461282-my-10-commandments-makers/ Please, go listen to it.

This is my adjusted take on what we do as chocolate Makers.

1. Make something. Anything. Don’t make this complicated. Of course the obvious is putting some roasted nibs and sugar in a Melanger and making chocolate. But this can also be as simple as toasting up some raw nibs in a pan so you have made roasted nibs. Or even getting a large bowl and blow dryer together so you can winnow your own nibs. Do something. Make something.

2. Make stuff that improves your life, either mechanically or aesthetically. This could be building some of your own equipment. But it does not have to be. There is a great satisfaction to un-molding shiny, glossy chocolate that you have made. You can also go laterally. How about making up a label for that chocolate you just made? Don’t discount the importance of aesthetics.

3. Don't wait. This goes back to 1). Maybe you don’t have all the equipment. But you have something and can make something NOW.

4. Use a project to learn a skill. I learn by doing. I have a confession. Ask the Alchemist is my own project for learning. It keeps me researching and thinking. Yours could be making your first batch of chocolate. Or learning roasting by methodically over and under roasting and makng the resulting chocolate.

5. ASK. Ask for help. I need to just quote Adam here. “People who make things love to share their ideas and knowledge. Makers love to talk about their work. Any husband or wife of a maker knows this is true. Learn how to work well with others and it will give back to you tenfold. Ask questions. Ask for advice. Ask for feedback.” This is why I am always here to answer questions. Please ask.

6. Share your methods and knowledge and don't make them a secret. This is the other side of the coin to 6). When asked, share what you know. Nothing, absolutely nothing, pisses me off more than hearing someone talk about trade secrets. Bullshit. What in the world are you afraid of? If what you do is so precarious that it’s based on a secret, then to my mind it’s just a house of cards. I’ll grant that sometimes there are very alternative formulations or new technologies that need to be protected for financial reasons, but claiming a bean mix or roast profile is secret is just insecurity talking. Get over it and share what you know….and it will come back to you. And besides, you OWE it to the people that shared so freely with you.

7. Discouragement and failure are intrinsic to the process. It’s going to happen. Again, Adam says it so well. “Don't hide from these. Talk about them. They're not enemies to be avoided, they're friends, designed to teach your humility. Go easy on yourself. Don't compare yourself to others; go ahead and be envious of others' skills, because frequently you can't not. Use that.” Use it to get better. Use failure to learn. I can’t tell you how many times I have failed while building and making something. But I learned from it and made myself and what I was making better because of it.

8. Measure carefully. Have some tolerance. “Do you know what tolerance is? If something fits tightly into something--that's a close tolerance. If something fits loosely, that's a loose tolerance. Knowing the difference between tight and loose tolerance is perhaps the most important measure of a craftsperson.”. There are two aspects of this in chocolate making I find. Knowing when to be accurate and precise and when you can, and should, be looser are key. 1 or 2 or 3% differences in a formulation are barely going to be noticeable. Combining 1) and 7) just get something going and stop fretting it will be 100% perfect the first time. Computer controlling your roast to 0.1 F and the exact second is just silly to me. The tolerance is too tight. You can’t tell the difference in the end product roasted to 251.7 F for 14:16 min vs 252.6 F. On the other side, a candy thermometer that is accurate to +/- 5 F just isn’t going to cut it for tempering where 1 F can make a difference. And you will only learn the difference by doing and failing on occasions. Embrace that..

9. Make things for other people. I love the look on someone’s face when I give them something I’ve made. Be it chocolate, or a truffle or anything. It can also make you vulnerable and keep you humble. These are not bad things. This is another form of sharing.

10. And if I could go back in time and tell my young self anything--any specific thing at all--it would be this: Take more notes!

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Ask the Alchemist #120

My question is im trying to make a milk chocolate bar following your recipe but i substitute the cocoa butter ,for coconut oil about 8 oz and 8oz grass fed ghee. In total 16oz of fat. Now i see the chocolate more liquid. Is the coconut oil spoil the tempering of the chocolate? Could adding moré milk powder help? Just experimenting.

I am going to assume you are using this recipe:

  • 2.0 lb Jamaican Cocoa beans
  • 22 oz Cocoa butter
  • 1 t lecithin
  • 12 oz powdered dry milk (yes, this is what the professionals use)
  • 32 oz sugar

Coconut oil melts at 76 F. That right there pretty much explains why you are seeing the chocolate act more as a liquid. When the chocolate should be a solid (anywhere under 79 F) the coconut oil is depressing the overall melting point. Ghee on the other hand melts around 95 F. You might think and hope that would counteract the coconut oil and ‘average out’ but unfortunately that isn’t the case and what you are see is what you get - a ‘chocolate’ that is much less viscous, thinner, and melts at a much lower temperature. .

Many oils can be used along with cocoa butter and not affect the tempering much. But coconut oil isn’t one of them. This page lays it out pretty well.

  • Palm oil or coconut oil based and normally contains lauric fatty acids.
  • Does not require tempering.
  • Lauric fat in the presence of enzymes like lipase (found in cocoa beans), under the right conditions (moisture, temperature), can react and produce a soapy off-note.
  • Not compatible with cocoa butter, although can be mixed in at a low percentage.

The really important thing here is the ‘not compatible’ part. It means it inhibits tempering.

What you used was a CBS or cocoa butter substitute. On the surface that sounds good, but what you really want and need if you want your chocolate to act like chocolate is a CBE or cocoa butter equivalent. The short list of those oils are shea, illipe, and sal nut oils as well as palm, mango kernel fat and palm oil.

There is also a class of fats and oils classified as CBR or cocoa butter replacers. They are non-lauric containing fats like palm oil, soybean oil, rapeseed oil and cottonseed oil. They sort of meet in the middle. They do not require tempering and are partially compatible with cocoa butter. “Partially compatible” – that’s another way of saying it depends on how much you use as to whether your tempering will still be possible.

Going back to your recipe, your addition of the ghee might allow you at least have a chocolate product that solidifies at room temperature, but I’m really not sure. Adding more milk powder is where I would start but it may be that all you end up with is a solid that has a very oily mouth feel.

In any case, yes, your tempering is fully ruined because you used a lot of an oil that is ‘not compatible’ with cocoa butter and inhibits tempering. There is nothing you are going to be able to do about that with the recipe as is. There just isn’t enough cocoa butter there to form a solid crystal structure. You have only about 15% where you really closer to double that AND not have other non-compatible oils (CBS) in there actively trying to thwart your efforts.

In short, add milk powder. You really have little to lose – just some milk powder.

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Ask the Alchemist #119

Where do you get your Ask the Alchemist questions? Why didn’t you post yesterday?

For the first one:

Ask the alchemist 41

To re-iterate:

You can send it to questions@chocolatealchemy.com 

Please try to keep them to specific chocolate related questions. Techniques, theory, understanding. That kind of thing. If you can avoid rhetorical questions (why do I love chocolate?) that would save us all time and energy. Read through some of the previous questions and I think you will see the flavor of question I am after.

And I’ll say again, please keep it chocolate related to one degree or another.

Every so often I will take a composite question from people that just email and need immediate questions.

As to why no post yesterday….my cupboard is bare. I’ve made it through my backlog of questions. So if you are wondering about something and/or like reading these every week, please contribute a question.

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Ask the Alchemist #118

This chocolate tempering has me stumped. I’m a pretty experienced candy maker. I make excellent, butter-smooth fondant, plus hard candy, spun sugar, fudge, and taffy, and am reasonably effective at re-tempering melted commercial chocolate. So I understand the crystallization characteristics of sugar, have an excellent “feel” for it. But I have had difficulty getting a feel for tempering the artisan chocolate I make from scratch.

I have been trying to temper my 8th batch, a Nacionale Maranon 75% cacao (65% bean, 10% cocoa butter), to no avail. I thought I had the process finally down. It went pretty smoothly with a Forastero batch tempered two days earlier, and had decent (though not perfect) tempers on an earlier white chocolate, a Criollo and a Trinatario. I was using more of a dark chocolate, wider temperature range on the Nacionale. It was some of my worst-blooming tempering results to date. The second time I heated it to around 129 degrees, to make sure the crystals were melted, and let it very slowly cool in a Corningware bowl, stirring frequently, to 81 degrees, then raised it to 90 degrees, and poured. (I’m just pouring it in a slab and cutting into chunks for now, not adding the complexity of molding while holding the temperature.) Both times, it set very slowly, with layers formed like sandy chocolate shale, dusted with cocoa. Without any reference data to work with, for kicks and grins, next time I will try to re-raise the temp to a lower 87-88 degrees, not 90, and see if that helps.

I have also found that certain chocolate varieties stiffen up (not just thicken) between 82 and 81 degrees, whereas another variety with the same recipe is fine taken to 81-82 degrees, can even drop to high 70s before thickening up. I’m beginning to think there is more than just the recipe, water content, and ambient temperature/seeding at play here. I can understand that the cacao fat percentage can make a difference, but when the fat range is merely 49% to 56%, that doesn’t seem like enough impact. But I suppose it might be a minor factor. And equatorial proximity is a factor.

I am sure that the initial temperature you raise it to matters a great deal. I advanced from making fairly smooth fondant to butter-smooth fondant, by simply ensuring that crystals in the cooking pan were all washed down and dissolved with water and a pastry brush, as cooking begins. This is equivalent to tempering’s initial heating to melt all the crystals, hence why I took the Nacionale up so high.

Is there any data you’ve found (or recorded yourself) correlating effective tempering temperature ranges for the different cacao varieties that you carry?

I wonder if all that complex cacao chemistry impacts the amount of each type of crystal formed, at different temperatures. If that were true, then we should be able to come up with narrower ranges by variety for pure cocoa liquor.

If that is the case, then is it reliable data across crops of the same variety? (I would guess not.) Does roasting temperature matter (once the water has been driven off) – i.e. perhaps the heat-induced chemical changes also affect temperatures at which it tempers? (Perhaps so if the varietal chemistry has an impact on tempering.)

If different brands of cocoa butter were used across batches, that would also make a difference because fat from Equatorial region cacao has a higher melting temp than that of cacaos in slightly more temperate regions. But I’ve been using the same cocoa butter lot, and predominantly cacao from fairly close to the Equator.

By the way, I have found that improperly tempered chocolate goes stale (flat tasting) much faster than properly tempered chocolate, for some peculiar reason. Hence I’m looking forward to getting this Nacionale tempered with a nice clean snap and consistent texture.

Let's see what i can do here to tease out some information. First a few corrections.

Initial temperature of melt as long as it is above about 100 F does not affect tempering at all. A clean slate is a clean slate. Likewise roasting does not affect tempering at all as long as it is a full roast and you are not leaving water in.

Chocolate and fondant are totally different types of chemistry. It's polymers vs polymorphs. The same with the sugar chemistry and polymorphs.

Ok. The rest. In some ways you are trying to see patterns where they don't exist. Or use observations for prediction. Grasping for explanations I know. What I mean is that classifying by Forastero, Trinatario and Criollo from a tempering standpoint is pretty meaningless. Those are just too broad. Frankly, even classifying by region or country does not show that great of correlation. There is some data to suggest that the closer a bean is grown to the equator the higher it's melting point. But that has not really been correlated to how that chocolate tempers. It just helps explain why different chocolates behave differently. Most likely there is a correlation, but I would not be surprised if it came down to combination of factors. Micro climate, latitude, rain fall, cultivar, etc. There is probably a great professional paper in there.

And then you get into the formulations themselves. Sugar percentage, cocoa butter added, total cocoa butter present and other ingredients. Plus a major potential contributor - water. Each of those can raise or lower the tempering ranges needed for a given batch of chocolate. The end result is too many variables and too many unknowns. At the end of the day you have to do just what you are doing. Working out individually what each batch needs and learning the feel for it. I suspect if you were able to plug in all the variables and their weighted effects, what you would end up with is a range of temperatures and a percent probability that a given temperature would work. Maybe you could tease out that this formulation needs to be brought to 80-81 F to seed and 88-89F to temper, and that other one should go lower to 79-80 F and should only be brought to 87-88 F, but at the end, all you end up with is the same pretty standard range is generally accepted.

That all said, I want to offer up some suggestions where I think you might have gone wrong with the Maranon....not because it is Maranon, but just from what you wrote and did. You heated to 129 F. That is total overkill. We are talking a couple degrees here or there in loosing temper. It's why going to 94F for any length of time in your final step destroys your temper. You are getting rid of all the Type IV and V. No matter the formulation, water content or latitude. 100 F is fine. That said, you didn't hurt anything. You just wasted a bit of time heating and cooling more than you needed.

You then brought it down to 81 F. This might or might not be your first issue. The big question is 'Did the chocolate start to thicken?'. All lovely, complicated equations aside, it all comes down to a state change. You cool until it thickens (just barely). The temperature range is only a guide so you know you are getting close and don't end up with a solidified mess. And it is only a 'mess' because it is difficult to work with, not because it does not work. If it did thicken, we can eliminate that as an issue. If it didn't, then it is very possible you didn't for enough Type IV crystals and needed to cool further.

Next you heated it to 90 F and let it cool very slowly. Personally I think this step, regardless of the previous one, probably doomed you. 90 F is high for almost any chocolate. You can go that hot, but you have to cool relatively quickly or be working with a solidly seeded chocolate. And you did just the opposite. The perfect one-two knock out punch. Tempering is a a process ( as you know). It is crystallization. It's almost a living thing. Temper waxes and wanes. It's constantly changing during your tempering batch. And maybe that is a good way to think about it. The Mojave. You could survive at 100 F for a couple days. At 110 F maybe only a day. And should it get to 125 F you only might make it a couple hours. There is an inverse relationship to your survival and how hot it is. But you can also recover. You can go to 125 F for one hour, back into the shade at 110 F for another few hours, and back into the 125 for another hour. And you can keep doing it over and over....until you finally wear out your reserves and perish, maybe only at 100 F because you have so taxed yourself at those higher temperatures. (quick side note clarification - you are only 'killing' your temper, NOT your chocolate). And to link up the analogy, your seed formed at 81 F is your water reserve in the desert. If you didn't make enough, you die sooner. If you made lots (you took it low enough or are using seed) you have more time to work and can survive higher temperatures. So what you did was take it high, and left it high, maybe with enough reserve or maybe not. Probably not since it bloomed.

In regards to trying 87-88 F for 'kicks and grins' the next time, that is exactly what you should do. As I hope you now see. But it should not be 'without any reference or data'. There is LOTS of data and references. 90 F is the upper end. You lost temper. The ONLY direction to take is down. And should you find that does not work, you look at your seeding temperature (making sure it started to thicken). Really, assuming you have low water chocolate with an average composition, there are only two places to troubleshoot a failed temper. Did you form seed (did it thicken) and did you not get too hot (ok, three - did you get hot enough to create form V, but that isn't an issue here) for too long.

So put aside type, origin, latitude and all that and focus on what the chocolate is telling you.

All those things are just there to explain why different chocolates require tempering temperatures, NOT to predict them.

Cool until it thickens, note the temperature, and then bring it up about 7-8 F.

As for the bloomed chocolate tasting flat and going stale, I would counter that is not true. It's temporary. We temper so the chocolate melts in your mouth well. Bloomed chocolate does not melt well in your mouth so the flavor is subdued.

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Ask the Alchemist #117

What does Single origin mean? How about single estate? Does that mean all the beans are the same?

I have to say I never considered talking about this. It seemed obvious....until I started talking with someone else and I realized that it is very much not obvious. I just took it for granted that 'single origin' just meant you didn't blend your beans. And on the surface, it is no more complicated than that.

I have a single Brazil cocoa. If you use it as it is, it is pretty clearly single origin. The origin is Brazil.

I also have two cocoa beans from the Dominican Republic. Roig and La Red. Both from very distinct regions in the Dominican Republic. If you were to make a chocolate from them blended together, from the standpoint of country, they are single origin, but you are blending, so they are not. Except I have spoken to MANY chocolate makers that use Dominican Republic beans and add cocoa butter from the Dominican Republic and call it Single Origin and no one blinks an eye at it....except it IS now a blend.

But what about Peru Tumbes? I have two different lots. If those are combined (the ARE the same region) are they single origin? In one camp, many people say yes. I would say no as it's going against the basic premise of Single Origin. Namely that you are not blending anything, regardless that they are from the same region.

Great, we are starting to nail it down. Single origin is one bean, from one region, not blended together.

Let's look back at Peru Tumbes. It is Fair Trade Certified. By definition, that means it comes from a co-op. Single farms are ineligible for Fair Trade status (by Transfair USA). The co-op (the Cooperative) buys beans from local farmers and blends them together. Do you see where this is going? In the most rigid sense, no Fair Trade bean can be Single Origin. They are mutually exclusive. But personally, I find myself drawing the line there. Or at least a line. That just feels too restrictive. I have no issue with someone calling their chocolate Single Origin Peru Tumbes, or La Red or Lamas. But some people might.

There is also something called Micro lots or Single Estate. I currently have four of these. They are from four distinct regions and kept separate. In this case, all four were produced by one company, but they were kept separate. And this distinction by implication is something special. More than Single Origin. Single Estate. So they by virtually any definition Single Origin, but are also (or can be) Single Estate.

So now we have "Single Origin is one bean, from one region, not blended together from different sub-regions".

At this point, it is a good time to remind that the Ecuador Single Estate Cedeno has FOUR bean types in it. EET 19, 95, 96, 103. So it can't be Single origin....or can it? In this case it is a natural blending. All four types of tress grow in the area. All are harvested together, fermented together and have never really been separate. For that reason, I am 100% comfortable calling this one Single Origin still. But it requires a definition update:

Single Origin is chocolate made from cocoa beans, from one region, not blended together after processing.

In that I don't know of any cocoa that is delivered in the raw state (in the pods or unfermented, wet beans) that really takes care of 'what if different separate bean types are blended before fermentation?'

And by putting that in place, I have taken care of the one other case I can think of. A while ago I had two different Single Estate offerings from the same farm. Venezuelan Patanemo and Venezuelan Patanemo 'Donaldo'. Both from the same country, region, farm and harvest. What differed was that Donaldo segregated out select pods for his own special fermentation. So in this case there were two different Single Estates from the same estate.

The coffee industry has gone through this and still goes through it. This is a good write up about coffee and how the definition has changed over time.  Looks kind of familiar doesn't it.

In the end, it comes down to intent. Or can come down to intent and what you claim. And to me at least, the specificity of what you claim nails down at what level of 'Single origin' it is.

  • Single Origin African
  • Single Origin Dominican Republic.
  • Single Origin Peru Tumbes
  • Single Origin Ecuador Cedeno
  • Single Origin Ecuador Cultivargo CCN-51
  • Single Origin Venezuelan Patanemo 'Donaldo'

To me, every single one of those is both true and self explanatory as to which definition is being used.And if we make it too the stars, maybe one day Single Origin Earth will be valid enough too.

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Ask the Alchemist #116

How important is it that my cocoa beans pop when I roast them? Sometimes I only get a couple pops but the chocolate seems fine.

I don’t have a great answer for this. Well, I have answers, but they are not definitive. Overall, I have an unsubstantiated preference for beans and roasts that pop and crack, but pretty clearly it is not a necessity for a good roast, nor is it an indicator of a good roast….but it does fall into the more favorable category for me.

What in the world does that all mean? Let’s face it. Listen for pops and stopping your roast there is easy. If you follow most any of my roasting suggestions you will get a few beans to pop most of the time, and the results will be good. And I’ve personally found with my roasting style, if beans are popping I am satisfied by the roast. That said, JUST making the beans pop isn’t the goal. You can really sear and char the beans by applying too much heat and they will pop just great. But they may mot taste very good.

Taking a small step back, popping is something you are probably familiar with. Most seeds pop if you heat them. Popcorn. Classic example and the most dramatic. Heat up the kernel and the water inside super heats and pressure increases. When that pressure can no longer be contained, the kernel ruptures, water vapor is explosively released and you hear a pop. It’s basically the same thing with sunflower seeds, sesame seeds, coffee (it actually pops twice, 1st and 2nd crack) ……and cocoa.

That said, you can see there are three factors (at least) for getting cocoa to pop. Heat, moisture and intact cell structure. If you heat the beans very slow the moisture will have time to make its way out without cracking or popping. If the beans are very dry there isn’t anything there to make them want to pop and if the beans are broken or cracked already, no pressure can build up. Remove any one of those and the beans won’t pop.

In the first case, there are many people out there that like very long (over 30 minutes) and/or cool (under 225 F) roasts. Beans won’t generally pop under those conditions. I’ve found it takes getting the bean temperature to around 250-260 F before it will occur. Can these be good roasts and make good chocolate? Yeah, it’s possible. But I’ve found it is not generally to my taste, so I try to avoid those kinds of roasts.

In the next two cases, you are more dealing with possible quality issues. Good beans that have been fermented and dried well should have an intact cell structure and a moisture content of around 7-8 %. Outside those parameters and it’s easier to have beans that don’t taste as good. Cracked beans can give paths of ingress for bacteria. Not good. The can indicate rough handling. Not good. Low moisture can make beans for friable (brittle) and prone to cracking. And why are they low in moisture? Were they artificially dried at too high of a temperature thus changing the flavor?

And taking the other side, have a look at these Honduras beans that just came in (and are gone) that I roasted.  Just an amazing amounts of pops.  10-15%.  Maybe even 20%.  And they tasted great.

crack1.jpg

But correlation is NOT causation.  Just because they popped did not make them good.  More likely the moisture was a tad high because they were very fresh having been flown in from origin just last week.  It helped too that I roasted them very strongly and they were pristine beans.  Basically a perfect storm for snap, crackle pop!  But I've had some Brazil that did the same thing that I did not offer because it tasted like soggy cardboard - aggressive cracks and all.

If you notice I am using lots of qualifiers. It is so difficult to make absolute statements of fact about these things as I’ve found so many exceptions. I’ve had very dry beans that popped just fine. I’ve had beans that showed poorly because they were cracked and very dry and didn’t pop, but the resulting chocolate was great. And I have had pristine, intact beans that popped like crazy that tasted like dirt. There is almost no predicting it….from this side of the tasting table. But really, this isn’t something you have to worry about.

You are not having to evaluate beans. That is my job. I’m pre-sorting for you and only offering beans that I’ve found taste good. Regardless of whether the popped when I roasted them. So from your point of view, at least with our beans, you don’t have to worry whether they pop or not. If they do, great. If they don’t, no harm, no foul. To be fair, most of the beans I offer do pop at 250-260 F when roasted in 12-18 minutes and can be considered done with they do. And I try to warn you when they don’t. Regardless, if they don’t pop for you, that is fine. You are not necessarily doing anything wrong and it’s not an indicator you have ruined the roast.

As a final side note, I have found I particularly like the taste of popped beans compared to their unpopped compatriots in the same roasting batch. But that is very specifically for eating whole. Given that even on a good batch, you may only see 5% popped, I’ve yet to ever sort out popped specifically to see if they make exceptional chocolate compared against the rest of the batch. Maybe I’ll try it some day, but mostly it would be purely an academic exercise as it just isn’t a practical way to make chocolate.

So, to bring It home, you really answered your own question when you said the chocolate with only a couple pops was fine. That is par for the course. A few pops and the chocolate tastes fine and those two things are only barely related. Remember, correlation is NOT causation. It’s just an observation. Happy chocolate making everyone.

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Ask the Alchemist #115

I am new to the cacao scene and wanted to know the answer to a question that I have had for a while. How do you know what type of cacao bean you have? Is it by the shape of the bean? Is it the taste? Is it the combination of both? The reason I am asking every year my family send over some cacao beans to me for hot coco. They tell me it’s trinitario and sometimes criollo but I wouldn’t know because I have no experience. I just want to know for my owe sake because my friends are always asking but I don’t have an answer. The cacao beans are from Haiti by the way.

Unfortunately, without some form of solid traceability, or hard data, it is very hard to tell one strain from another with anything close to certainty.

On the far extremes, Forastero and really pure Criollo you can tell apart since the interior of the bean of the former is purple, and the later a light brown to cream. But after that it gets pretty non-helpful as the natural variation runs from purpleish to brownish and everywhere in between with little correlation to parentage. But those are bean colors. Not pod colors.

There is a nice article that shows there are genetic markers for color and in certain regions (Ecuador in this case) some relationship to desired qualities. But not really what it is. And it makes this point. “Now, the color of the cocoa pod – red or green – does not mean much to either cocoa farmers or consumers,”

The same goes for shape. Cocoa pods come ribbed, smooth, oblong, round. But the issue is that they are what are considered non-exclusive sets. To use an arbitrary example,

Sometimes you can get lucky. Amelonado is known for it’s very round melon shape (hence the name). It has a dark violet cotyledon (the fancy name for the bean). And it is verified Forastero. That’s great. Most likely given that very specific description, you can say what it is. But it is also true that not all round, purple cotyledon are Amelondo. Beniano is a good example.

Likewise, certain Criollo bear some pretty striking characteristics. Very elongated fruits with nipple-like apex and wart like surface, often with a redish coloration.

But then we get to others that are described as “ multi-variegated fruit pods, some colored red-brick brown filled with relatively small beans”. That is for Chuao, a Criollo. That totally does not match the previous Criollo

If we get to something like Ocumare, it’s noted as elongated, ribbed and red. Which could easily be the description of Chuao.

And it goes on and on like this. Many types look a certain way, but they also look a lot like other strains. It basically takes genetic sequencing to tell them apart. And when you do that, it is not at uncommon to find out that two pods that look radically different are actually pretty closely related. The Amazon, Guiana and Amelonado all sharing pretty common genetic ground, yet looking nothing alike.

So what it comes down to is some educated guessing. Pod size, shape, color, texture, bean color and count, flavor and aroma all play into getting an idea of what you have. And to me, at the end of the day, what you have to show for it is the pod you started with. It does not change the flavor. It’s a name. And sure, it’s nice to know a name sometimes. But to me what is important is the flavor of the chocolate you make from it.

That all said, if you want to send me a photo of what you have, I’ll give it a guess…but know, it’s just that, and if it isn’t one of the really distinctive morphotypes, a wild guess is all it will be. If it is one of the distinctive morphotypes, then it will be an educated guess. I did some brief searching on the G-engine and found Haitian cocoa that was red, orange, green and all ribbed and elongated…..meaning I have not a clue.

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Ask the Alchemist #114

Why can't we cool the chocolate directly to get form V crystal seeds?


That is a very good question.  And when I received it, I didn't know if it was true or not.  Many 'rules' we live by turn out to be myths and we do what we do because that is how it's always been done.  Or sometimes it is simply the most expedient way to do them.  Maybe, I thought, it was possible to form Type V crystals direct.  Assuming it was, why would it not be done that way.  The only reasonable explanation I could come up with was the rate of reaction, or basically how fast it takes the crystal structure to form.

With that hypothesis in mind, I set up a few tests to test the theory. 

It was really simply really.  I melted a few pounds of dark chocolate, set my tempering machine to 88 F, and just let it go. I took pairs of samples out at various intervals.  30 minutes, 1 hour, 2 hours, 4 hours, 8 hours, 24 hours, 48 hours, 72 hours and 96 hours.  One sample I let set up at room temperature (about 65 F), the other went into the refrigerator for fast chilling (just to see if there was an effect).  I also repeated this at 86 F, 90 F, and 92 F.  The results?  100% bloomed chocolate.  To me that is a very definitive result that Type V crystals do not spontaneously form.  If they did, they would be seed crystals and allow the lattice formation of Type V and the chocolate would not bloom.

This result was not really surprising.  Otherwise it would be an accepted practice.  As I thought this over, it reminded me of some of my basic chemistry lectures on transition state theory.......and I've now spent WAY too long trying to come up with neat yet comprehensible pictures or diagrams showing how I understand what is most likely going on....and I failed.  It's not that it's really hard, but I can see the deer in the headlights look know if I try to put it up.  So I won't bother.  What you and I  will have to settle for is a less accurate but hopefully more comprehensible description.  And my favorite...analogy.

Basically, it Type V is not stable.  It's sort of a definition thing.  Things like to be stable.  Generally that means given the option, they will go to the lowest energy state.  Since chocolate left to it's own devices does not spontaneous temper (form Type V) but instead blooms, the bloomed state must be the stable one.  Since it is the stable one, and since tempered chocolate can bloom without intervention, tempered chocolate is the opposite, or unstable.

I can't really (easily and simply for non-chemists) explain why that leads to this next part, but trust me, it does.  Because Type V is unstable, it has more energy than Type IV.  That higher energy is why you can't just make Type V from nothing. It is too big of a jump per se.  Tempered chocolate is like being on a roof.  Untempered is being on the ground.  You just can't make that leap.  But Type IV is a step half way there.  If you can get onto the step, you can then get onto the roof.  And that is it in a nutshell.  You have to make Type IV  first. After that, it can turn INTO Type V.

If you want a slightly better visual, think tinker toys (google it you youngesters).  Think of making something long that twists and turns and lays 'just so'.  You can't just build it.  Every time you try it just falls apart, or spins around and just won't stay in place.  But if you build it on the ground, flat, it's nice and stable.  Type IV.  Then, with the floor helping to support it, you can rotate just the way you need, and what was impossible in one step, is suddenly possible.  Type V.

That's it.  For the more technically hungry, if you have not caught on by now, we are talking about transition state theory, with Type IV being the lower energy transition state from untempered chocolate that allows formation of the higher state Type V.



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Ask the Alchemist #113

I do not do the “Champion juicer” step - I take the roasted nibs (purchased from the Alchemist himself) and slowly add them directly to the santha. I’m sure there’s more husk included than some purists would like. This got me thinking…Since the santha pulverizes everything, what is the effect of skipping the cracking / winnowing step all together and refining the whole bean (husk and all)?

The simple part first. I have had this same thought myself, so I tried it a couple different times. The results were less than stellar. Although the Melanger was more than capable of making the chocolate smooth, there were odd, and not very pleasant defect flavors present. For lack of better terms, the chocolate tasted dusty, musty and bitterishly astringent. And given the science background I have, that was of course in direct comparison to chocolate that had been fully winnowed of husk. A control in effect.

So overall, it is not a good idea to make chocolate from the whole unwinnowed bean.

You also mentioned that you made chocolate from nibs that had more husk than some purists would like. And that you received those nibs from me. That brings up a good point. In this same set of tests (years ago now) I set up a set of chocolates with varying amounts of husk remaining (based on initial weight of whole beans). 0, 1%, 2%, 5%, 10%, 15% and ~20% (unwinnowed). This was specifically to test at what the threshold point was for tasting the husk contribution.

What I found was that I was completely unable to discern the first three chocolate apart. Which frankly surprised me. I was pretty sure 5% would easily be discernible. But it was much more subtle than I expected. It left me mostly with a 'meh' impression. Not a great chocolate, but not bad either. Just not something I had a desire to keep eating. Upwards to 10% it was clear something was not right, and by 15% it was clear there was way to much husk. It basically tasted like the unwinnowed chocolate. But back to the lower levels. Try as I might I could not tell the 0, 1% and 2% chocolates apart. Which is the point of experimenting.

I've watched and listened to chocolate makers obsess about getting every little piece of husk out. It often goes hand in hand with those who sort their beans from a visual standpoint (which as a reminder, I don't find a need for) and use it as a platform to boost about the care they use in making the best chocolate. And in theory, I am all for removing as much husk as you reasonably can. It's just your basic responsibility of making chocolate. But I find it a bit disingenuous to brag about something that should be a given. More to the point, I find it kind of silly to pick through your nibs to remove every single piece of husk when it simply won't make a difference in the resulting chocolate. It is almost kind of superstitious and ritualistic. And mostly a time wasting event. Given my actual tasting results. Please keep that in mind.

To me, it's like any other project that has hidden pieces. A wall. The interior studs. You don't use 2x4's that have been planed, sanded to a smooth finish and oiled to a high gloss only to cover them with dry wall. It is just wasting time and money. It adds nothing at all to the value, quality or longevity of the wall. You would laugh (or at least walk away) from a contractor that bid your house out if he told you his houses were better if he painstakingly sanded and finished every single interior stud, wouldn't you? It is the same thing.

Don't waste time and effort where it isn't warranted. That is all I am saying. And please, don't take my word for it. Try it yourself. Winnow your beans. Not necessarily half hearted, but don't be obsessive. Then split the batch, and REALLY winnow the other half. Make two batches of chocolate and taste them blind. If you have done a reasonable job with that first winnowing, I'd put money down you can't tell them apart. And if you can? Great! You have learned something and now you know what level of husk is acceptable. But you then making an informed decision. You aren't just following a blind ritual.

One other point. The amount of husk can be deceiving. I've yet to find a person who has not actually weighted out husk who can accurately determine by looking how much husk is remaining in a batch of nibs. It's often over estimated by 10 fold I have found. Husk is just so much less dense than nibs, and your eye (partly because you are looking for it) estimates high. It was mentioned that sometimes there is husk in the nibs that I produce. Yep. I own that. But it is well under 1%, and often well under 0.5%. A totally acceptable amount (based own my own tests and tastes of many others) to have in your chocolate. And one other item to consider. Being less dense, husk has a tendency to rise to the surface of a pile of nibs, so what you see isn't homogenous. It's weighted toward showing a weighted distribution of husk. i.e. it looks like more than there is because you assume it's homogenous when it isn't.

Finally, just a few photos to demonstrate what I am talking about.

25-combined.jpg 5-combined.jpg 2-combined.jpg

1-combined.jpg 1-vs-nibs1.jpg Rather deceiving, isn't it?

It'a all about balance folks. There is nothing wrong with being thorough, and wanting to make the best chocolate you can. Just be smart and put the work in where it matters and not where it doesn't. There's no need for finish carpentry work on the inside of a wall.

Happy chocolate making!

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Ask the Alchemist #112

In regards to the under roasted chocolate I made. So is this a case of where I could put it back in the premier and add some baking soda? If I eat more than a couple of pieces I get the feeling that I am burning the roof of my mouth with an acidic substance. So does the sourness equate to acidity and the same taste as I would get from under fermented beans.

Well, you could put it back in the melanger and add baking soda. That would indeed neutralize the acidity. Unfortunately it would also react with a whole host of other compounds in the chocolate leaving you with a rather flat tasting chocolate. Given that, it’s not something I would suggest. Instead I would consider either cooking with it or making it into milk chocolate. In either case you are basically applying ‘dilution is the solution’ to the issue. Actually, in both case there is a bit more involved. In baking you have quite a bit of other chemistry going on that affects the chocolate’s flavor and so we are used to this change. And in milk chocolate, there are compounds, for lack of a better term, that play well with acidic chocolate, converting many of the acidic compounds into ‘softer’ aldehydes and ketones, lending a nice depth of flavor to your ‘diluted’ chocolate.

As for sourness being acidity being the taste you get from under fermented beans…no. They are all different things. We American’s are typically very poor in our flavor descriptors. People tend to like to think in opposites. If it is not sweet it must be sour. If it’s not savory it much be bitter. If it’s bitter, add sugar to neutralize it. The problem is that none of these are fully accurate. Taste isn’t like electricity. Positive and negative. One rarely cancels the other. It’s not wholly like sound either. I tend to try and think of taste more like color. You have primary colors. Red, yellow, and blue. Red isn’t the opposite of either of the others. It just IS. But you also have a lot of colors that are well recognized that people tend to agree upon . Red, orange, yellow, green, blue, purple (indigo, violet). So just because something isn’t blue(sweet) , it does not follow that it has to be red (bitter). It could be yellow (acidic). But maybe is it a mix. Yellow and green make blue (fruity). All I am trying to say is that open your mind to a flavor wheel in the same way there is a color wheel. Once you do that, it isn’t that hard to understand that adding sugar to something (blue) does not make the bitter (red) go away. You just kind of don’t notice it any more.

Let’s try it this way. Look at the image below.

taste-spiral.jpg

You have a spiral of three spirals. Blue/magenta, green/orange, and magenta/orange. Right? You know I am going to say no, don’t you? There is no blue in that image. It’s green. Have a look.

taste-spiral-2.jpg

Changing the color labels from above, if ‘bitter’ is green, and you add magenta too it, the green does not go away. But suddenly you taste ‘blue’ with no green at all. But the green is still there.

That all said, the sour often pairs with acidic, but depending if we have with it (sweet, bitter) determines what we perceive. To me under fermented beans are astringent and bitter, but rarely sour. Under roasted beans tend to keep those flavors, but the addition of others makes us think sour. Sometimes though some flavors go away and what we then perceive is acidic. But if there is sweetness present, we tend to think fruity. And if we over roast, it goes bitter again, full circle as it were…except it is a different bitter.

In a way it’s like each of us having our own language of taste. It’s a matter of learning enough of each other’s language to get a point across and find common ground. Sound and light are easy. We have wavelengths that we can quantify and agree upon. I said red just “IS”. Well, what it is is 620–750 nm. A range that we have mostly all agreed upon as ‘red’, but it encompases an entire range of wavelengths. We don’t even have that with taste and smell. We are stuck with ‘like this’ and ‘like that’. I buy my green coffee from Tom Owen’s of Sweet Marias. Over the years I have learned that I should steer clear of coffees where he tastes apple. I don’t know what he is tasting, but when I taste a coffee that he has tasted apple in, I invariably don’t like it. The interesting part in this to me is that I both like apples and I don’t taste apples in the coffee. But I’ve done it often enough to know that in his ‘language’ of taste, I don’t like apple.

I’ve gone kind of far afield of the original question but I think it is a worth conversation. I guess that main point I have to make is that chocolate flavors (well, all flavors) are like a colored Rorschach image or Impressionist painting. Many of us will see similar images. And we can probably agree on what makes up parts of the image, but there is just no telling what adding another ‘splotch’ (baking soda) to the painting will do in regards to what you see or I see.

It’s why I try to go on and on with tasting note, and the new spider graphs and the like. I’m trying to give you enough of my language so you can make enough correlations to your own language so you know what I mean when I say ‘apple’.

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Ask the Alchemist #111

I roasted 2.5 lbs. of the 2012 Peru beans in the Behmor. I used the 1 lb. P2 settings for 16 minutes and hit start. At 15 minutes I did not have any popping yet, so I added another minute. Still no pops at 16 minutes. As I approached minute 17 mark, still no pops. On the 2012 Peru bag it gives a warning not to over roast, so I decided that I pushed it as far as I could go comfortably, so I started the cooling cycle. 20 seconds into the cooling cycled I heard a couple of pops. This didn’t surprise me, because the Behmor temp always seems to go up abruptly for a short period of time when the cooling cycle begins in my prior experience. The family complained about the unpleasant smell that came out of the kitchen the first few hours in the Premier which seemed to diminish as the hours progressed. I tempered the batch and allowed it to age a few days. My initial tasting leaves me a bit bewildered. I seem to pick up a fruit taste with some associated sourness. One time that thought of an oxidized red wine (like a Sherry) came to mind. I don’t sense a lot of bitterness for a 75% chocolate. I just have no point reference to know if I did something wrong or if I am on target for a Peru bean. The taste is growing on me, but it is just a bizarre experience each time I bite into a piece.

I love questions and tales like this as it gives me so much to touch on and discuss.

This will be a re-visit of roasting in the Behmor (and in general) and how that relates to my warnings and admonishments for various beans. Let’s start with my basic profile for roasting in a Behmor. Set it on any profile on the 1 lb setting (or 400 g if you have a 220V), remove 2 minutes to 16 minutes, and go. This is a STARTING place. This is NOT the perfect roasting profile for any bean. Well, it may be the perfect one sometimes, but that’s just the luck of the draw. It does work quite often, but it also doesn’t work often enough. It is a starting point.

Just yesterday I roasted up a set of evaluation samples in the Behmor. 2.2 lbs (1 kg sample), P1, 18 minutes. I didn’t start at 16 minutes as it was in a cold area, with beans at 50 F (the ambient temperature). At 17 minutes, there were a couple pops, so I added 2 minutes. Somewhere around 19 minutes there were good aromas coming off, more pops, and I added another minute. At 20:30 I got the first whiff of acrid. Basically a nice indicator the roast is in ‘the zone’ and probably near the end. Knowing 30 seconds won’t make a huge difference, I just let it run out to 21 minutes. And I have no fear what so ever that I would have over roasted if I had added yet another 1:30 and let it run out to maximum. It might have been a tad heavier than I might like, but in all likelihood it would have just been different, not ruined.

That last part is a significant point to realize when both roasting in the Behmor and in general. One minute is simply not going to ruin a roast. Two minutes aren’t either. Even 5 minutes (if your ambient temperature is not too much above your target end of roast temperature) isn’t going to over roast your cocoa beans. Somehow, and maybe it is my fault, people have come to the conclusion that 15 seconds can make a huge difference in a roast profile. The difference in ‘right’ and horribly over roasted. It just isn’t like that. Maybe it is comparing it to coffee where 15 or 30 seconds can make a huge difference if you are ramping hard (meaning there is a large difference in your ambient vs bean temperature) AND you are near 2nd crack where varietal flavor gives way quickly to roast character. But that is over 450 F bean temperature. It is a totally different world from cocoa bean temperatures that should not ever be over 320 F at the far outside. And that is key to roasting in the Behmor (or your oven). The Behmor roasts by both time and temperature and it only has so much energy to offer. No, I don’t recall exactly what that temperature is, but 8 years of experience roasting on it tells me it’s low enough to keep you from over roasting 2 lbs of cocoa beans. I once tried to over roast in the Behmor. I loaded 1 lb and let it rip….and STILL came away with beans that were not badly over roasted. Just somewhat. It took me putting them twice to really showcase what badly over roasted looks like.

So ’17 minutes isn’t ‘pushing it to the limit’. Not even close. 21 minutes MIGHT be pushing it IF you had pops around 15 minutes. I am totally comfortable continuing to roast at a moderate temperature differential (i.e. the Behmor’s profiles) for 3 minutes after I hear the first pops, and 4 minutes does not scare me. And certain beans can take 5 minutes. The whole key is the Behmor cycles the heaters to keep the chamber in control. Instead of thinking coffee roasting, put your mind more into bread baking or roasting a piece of meat. You see it all the time in recipes. If your oven is at 350 F, many break recipes call for 25-35 minutes. A piece of meat that you are fully cooking will say 60-90 minutes. Huge windows. You only get into problems when you are baking/cooking/roasting really hot and fast. I like to bake biscuits hot and fast. 450-475 F for 11-12 minutes. Going to 14 minutes there could indeed ‘over roast’ them. But if you go more traditional at 350 F, the range opens up to 13-16 minutes and 18 minutes might be a little darker than you want, but even at 20 minutes they won’t be burned.

So how do you know when to stop the roast then? I alluded to it before. I go by aroma. In many beans there is a sharpish acrid like smell that comes off when you are approaching ‘too far’. And it’s not just a smell. You have to be in the right area of the roasting profile. No matter what you smell at 12 minutes, no matter how sharp or acrid, it is NOT the smell I am talking about because it can’t be. It’s too early. ( Just like hearing pops at 5 minutes. Those don’t count. They just can’t. ) It’s also most likely not there at 15 minutes, and may not be there at 16. Once you hit 16-17 minutes, it starts to be possible. But it still may not show up until 20 or 21 minutes, if it is going to show up at all. It is totally within the realm of possibility that it would take 24-26 minutes to reach that stage of roasting for certain conditions (low voltage, cool room, high bean moisture, etc) which can’t happen in the Behmor. And it may be that YOU like your beans on the far end. There is nothing wrong with that.

At the end of the day, I would love to suggest that you put in two pounds of bean, set your Behmor to the maximum time it can go, and ROAST. Let them pop, and snap and roast and don’t touch it and don’t fret. Observe, smell, and learn. Get past your fear of failure. And actually I have done this for people that constantly under roast out of a fear they are going to over roast. I have to tell you. I love failure. I learn so damn much when I fail. And even more when I try to fail and don’t, learning that the limits were not what I thought them to be. That I had constructed this illusionary box around myself that was much smaller and restrictive than reality.

Maybe you won’t like 2 lbs at 22 minutes…but maybe you will, and either way you will have gained knowledge about roasting and your tastes and hopefully overcome a bit of your fear of ruining a batch of chocolate.

Ok. I want to just rapid fire a few of those other points.

The sourness you tasted was most likely under roasting. As I think you now see.

There is nothing wrong with harsh smells coming off your chocolate at the beginning, or even during the roast. If you are smelling them, it means they are leaving and won’t be left in your chocolate. This is a good thing. And if don’t smell them, that is not a bad thing. Maybe there was nothing bad to drive off.

That’s it. Push yourself. Push your limits. It’s the only way to find out what those limits are. I bet you surprise yourself.

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Ecuador Micro lots are in

First off, there is no telling how long these will be around.  I have a few hundred pounds of each at the moment.  If one or two in particular go over well, I may try and bring in a bit more.  Regardless, get them while they are here.

Ecuador - Cedeno  - The chocolate carries that aroma of fresh wheat and bright tangy rose.  There is a solid chocolate base, a touch of earthiness and a balancing acidity and fruit.

  

Ecuador Cultivagro  -A touch of oak wood plays well with the leather leaving a dry yet satisfying finish.

   

Ecuador - La Buceta - The chocolate’s aroma is tangy (a nice way to say softly acidic in a nice way) in the way of mace and cinnamon.

  

Ecuador - Pichincha - There is a floral malty sweetness over a solid chocolate backbone.  There is virtually no astringency

 

Up coming beans: A savory Mexican that I have approved the evaluation sample should soon be on the way.

And if you like this kind of thing (just business as it were) you can subscribe to our newsletter where we make this same announcements when beans and new products come out.  Usually about once a month.  Sometimes a little more, sometimes a bit less.

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Ask the Alchemist #110

And now for something a little lighter.

Why don’t you have a how to guide on making chocolate?

?? I do. It’s on the front page and right here; How to make chocolate

Can you recommend any chocolate making books?

No. I don’t know of any.

Are you ever going to write a book on chocolate making?

Maybe. I’ve thought about it for years. The more I learn and know, the more I learn what I don’t know and that there is more to know and learn.

Can I make chocolate without a melanger.

No. At least with the caveat that you can’t make smooth chocolate without a Melanger.

Do you make chocolate just for yourself?

No.

Do you eat all the chocolate you make for your testing?

No. I save it up and make holiday truffles once a year, often for a fund raising event for a local school.  And of course for family and friends.

Can I be your apprentice?

Not in person. I’m not set up for that kind of thing. But if you are reading and learning from Chocolate Alchemy, then you already are.

Can I visit Chocolate Alchemy?

Sure. Assuming you mean the location and not the site.  I love to have visitors. But drop ins don’t work well. Appointments are good.

Do you offer chocolate making classes?

No. Not structured ones. What I offer is troves of information on the site, and questions answered readily if you have them.

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